In 2001 the Irish government launched the Direct Provision system. It was designed as a temporary measure to provide for the welfare of asylum seekers and their families while they awaited decision on their asylum application.
Direct Provision provides basic housing, three meals a day and medical care. A small allowance is given to asylum seeker as they are not allowed to work. There are more than 4000 people living in Direct Provision half of whom are children, many born in Ireland.
Human rights groups who have examined these living conditions have expressed serious concern over the well being, development and safety of the children, as well as adults.
By 2015 people have reported living in the system for more than ten years.
Ireland has a history of institutional abuse of vulnerable people with its infamous Magdalene laundries and technical schools among others. Direct Provision contributes to the collective trauma of the Irish society and further abuses of victims of global violence.
Seeking Home: Tales of Asylum Seekers in Direct Provision looks at life inside the system.
LIUBA, the Italian multi media and site-specific projects artist dedicated one of her recent works refugees - to their stories and to their rights. She dedicated this work to all the people who must leave their home country and have to rebuild their lives elsewhere.
That’s what LIUBA says about the art project: I arrived in Berlin at the end of 2013. At that time, I immediately realized that the problem of refugees, of their rights and of their documents was very debated and visible in the city. A group of refugees had erected a tent city in Oranienplatz, a square in the central berlin district of Kreuzberg at that time.
“When I was invited to present a performance art piece at the Kreuzberg Pavillon I realized that I was not interested in presenting a work of mine, nor in speaking about me. I wanted instead to give voice and space to the refugees and their problems. Also, because I was aware of that the media, at least in Italy, gave distorted information on the whole issue.
So I decided, in agreement with the organizers, to invite refugees in the Art Space and welcome them.
Furthermore, with this gesture, I wanted to state that life and problems of people are more important than art.
To achieve this goal, apparently easy, I had to work hard in contacting the refugees, hearing their stories, building relationships in order to invite them to come to the gallery.
At the beginning it was not easy for me to get their confidence, but after a while the ‘ice broke’ and important human experiences were born.
The project consists of two parts: the collective performance itself, at the gallery, and the previous, long, site specific work on meeting and knowing refugees and their problems, inviting them to come to the gallery and standing for their rights. The performance is only like the ‘iceberg point’ of a long and deep relational process.”
Have a look at LIUBA’s artwork:
"Refugees welcome", 2013-2015, Germany-Italy, colours, 16’50”
Credits
LIUBA … director, concept, editing, performance
Zachary Kirschberg … coproducer
Dominique Rosales … coproducer
Leonardo D'Antoni … camera #1
Sergi Sanchez … coediting, camera #2
Valquire Veljkovic ... camera #3
Giuseppe Tripodi ... sound postproduction
Clio Flego ... artist assistant
One thing people outside refugee circles and political crises can do is acknowledge that just because you’re far away from violence, doesn’t mean you’re separate from it.
Lives, ruined by violence, end up in camps or in graves. Why?
They’re different over there. They do things differently.
To have privileges you never yourself earned, to be safeguarded by laws you never yourself fought for – to feel that others must earn theirs – whereas by right of birth, you don’t – this is ultimately the story that emerges from escape.
They die because they believe in killing, we don’t. They need to escape, we don’t. And if they come here, we won’t give them anything. We don’t want them here. We don’t want anyone else here – because they’re not like us, and our lives are more meaningful than theirs.
While we’re insulated by laws, technology, the feeling that we’re different – we’re still part of this world. Our expectations are not different from others; we have to ask ourselves: do we care that others suffer? This is what escape forces us to ask.
Annamaria Olsonn, founder of Give Something Back to Berlin (GSBTB) told fairplanet:
“The project was founded in 2013 –it was absolutely organic. We just wanted to help communities living in Berlin – particularly expats – as they are called – to really get involved in Berlin life.
There was no structure or funding or anything. We just put out a Facebook post – and after a few years, it turned into a full-blown project”.
Two months after starting, Annamaria went down to Oranianplatz, where refugees from North Africa self-organised protests and a school. Rather than playing what she called “the blame game” where the media blamed society’s problems on refugees, or do what the hysterical left do – challenge all of society, rather than try to include people – she asked the refugees what they could do together. They wanted to learn English, she said. Use computers, and find jobs.
There is a tendency to live in our separate communities, says Anna Maria – for whatever reason, it’s just easier to escape from the world’s problems and think you have nothing to do with it. But you can make a difference – stand up, get involved and find projects you can get involved in.
Just recently, criminals tried (once again) to prevent refugees from moving into a home for asylum seekers in Germany. This time it was a butyric acid attack. Unfortunately, scenes like this are not uncommon. They happen nearly daily. In the first half year of 2015 there were 202 attacks on refugee shelters in Germany. But there are also signs of hope. Like these five German projects that proof - integration of refugees works.
1. Workeer
Workeer is the first German training and job market, which is specifically aimed at refugees. The platform creates a suitable environment in which refugees meet to this group of jobseekers positive-minded employers. At the moment 114 employers and 99 jobseekers have registered.
The platform is a complementarywork of BA Communication Design studies at the HTW Berlin in summer 2015. The project shall be continued and need supporters.
2. District mothers and fathers
Since 2011, women and men put their efforts in the project "Stadtteilmütter und Stadtteilväter in Kreuzberg" (mothers and fathers in the neighborhood of Berlin's district Kreuzberg) to gain a greater participation of parents with an immigrant background in their neighborhood. The visual "trademark" is a red scarf. By using expertise and a lot of passion their commitment is succesful. The concept is spreading throuhgout several districts of Berlin.
3. save me - hosting refugees
The campaign "save me - hosting refugees" is committed to the willingness to accept refugees at local scale. Many refugees are stranded in neighboring countries and must sometimes wait years before they can take the perilous journey to Europe. They spend their lives in makeshift camps. "save me" begins exactly there: The project has set itself the goal, to take in the refugees in Germany, before they go on their own on the risky journey.
So far there are local save-me-campaigns in more than 50 German cities, more than 100 supporting Organisations, more than 9.000 supporters germanwide, council decisions in 49 German cities till now ... and growing acceptance.
4. CUCULA
‚Cucula’, originates from the Hausa language in western central Africa, and means ‚to do something together’, as well as ‚ to take care of each other’.
CUCULA is an association, a workshop and an educational program all in one. It is for and together with refugees in Berlin.
In contrast to the theoretical debate about the situation of refugees in Germany, the initiators strive for a pragmatic, immediate and action-oriented approach. The aim and object is to achieve something “together with” the refugees and not simply “for them”.
Launching as a pilot project, CUCULA wants to give people, for whom the doors of society are locked, access to education. CUCULA wants to establish a ‘welcoming culture’, which helps refugees to break with the notion of ‘victimhood’, and at the same time unfold their self-efficacy and to open up a perspective for a self-determined life. Arriving, building ones own future, experiencing self-efficacy, instead of being ‘administrated’ and deported – these are the project’s main motives.
5. We have arrived
Together with young refugees living in Germany UNHCR and the German Federal Association for Unaccompanied Minor Refugees eV (BUMF) have produced a short film. The project aims to make refugees not only visible, but connect us all with their stories to understand. Young people from different countries of origin are in front and behind the camera. In "We have arrived" they address both their own history as well as that of other refugees living in Germany for some time.